WAITING FOR LIGHTNING
FIELD PREPARATION

A durational survival artwork after Walter De Maria

Waiting for Lightning

Medium Voxel labor, unwaxed copper, synchronized regional weather, durationMatrix 25 × 16 / 400 polesState AWAITING SURVEY
01 LIVE INSTALLATIONOWNCAST / OFFLINE

PRIMARY TRANSMISSION / OWNCAST

The field is offline.

NEXT TRANSMISSION —

Owncast is the project's live origin. YouTube receives the relay and preserves completed sessions.

Open direct stream ↗

Project methodology & conceptual overview

The player performs every act of extraction, smelting, transport, surveying, and construction in Survival Mode. Walter's Ghost witnesses without intervening.

Labor
Manual survival
Field
400 equal-tip poles
Lightning
Minecraft-engine events; no summoned strikes
Read the full essay →

Live evidence snapshot

Latest verified field state.

OPEN THE FULL DATA ROOM →
POLES000 / 400
ATMOSPHERENOT RECORDED
TRANSMISSION
TRANSMISSION LIGHTNING
WORLD FEEDCONNECTING

Construction index

Four hundred positions.
None complete.

000/400

02 / Essay

Walter De Maria and the work of waiting.

De Maria's The Lightning Field is not simply a collection of metal poles designed to be struck. Its 400 pointed stainless-steel poles establish a horizontal plane across an uneven New Mexico landscape, changing with distance, daylight, weather, and the viewer's movement.

Waiting for Lightning translates that perceptual system into Minecraft while changing its material conditions: physical steel becomes mined copper and iron; remote land becomes procedural terrain; the overnight visit becomes potentially endless online observation.

On the Horizon: Walter De Maria, Voxel Labor, and the Digital Sublime →Walter De Maria: the artist, the ethos, and the lineage →